Architecture marketing consultant for firms that want better clients and bigger commissions
Kirill Samarits is an architecture marketing consultant who helps US architecture and design firms win better clients. He sharpens the firm's position, turns built work into project stories a client can use, plans publication and awards, rebuilds the website for search and AI assistants, and sets up a business development routine the principals can keep. He is the Founder & CEO of TERAMOK, whose team has worked with Aristides Dallas Architects since 2021.
- Architecture clients since 2021
- ArchDaily photography credit
- 90 days, from $45,000

CGI visualization by TERAMOK
How do architecture firms get clients?
Most commissions still come from referrals, repeat clients and shortlists. The firms that grow on purpose add a system around them, in six stages a client passes through before signing.
Position
The firm says clearly which commissions it wants: sector, size, client type and place.
Proof
Six to ten projects that prove it, each told for a client, not a jury.
Visibility
Publications, awards, search and AI answers put that proof where clients look.
Conversation
Principals reach the developers, owners and agencies on a short target list.
Shortlist
RFQ and proposal material is ready in hours, not weeks, and fits the brief.
Commission
The interview deck answers the client's real questions: cost, program, approvals, schedule.
Public work in the US is won on qualifications
Federal projects select architects through qualifications-based selection under the Brooks Act, using the SF 330 form, and many states and cities follow similar rules. For that market the qualifications package is the marketing: project sheets, team résumés and the right images need to be ready before the RFQ is published.

Marketing an architecture firm is not marketing to architects
The two get confused in search. Building-product makers who want architects to specify their products need specification marketing. That is a different job.
An architecture practice sells to developers, private owners, institutions and public agencies. They hire on trust, on relevant past work and on a sense that the firm understands their commercial goals as well as the design. The marketing has to show all three, clearly, to people who are not architects.
Architecture firm marketing strategy, step by step
Six steps, in this order. The creative work follows from the first two.
Positioning audit
List the commissions you want in the next three years: sector, size, client type and location. Compare that with what your website, portfolio and principals' profiles actually say. Closing that gap is the first job.
Project selection
Choose the six to ten projects that prove you can do the work you want next, not simply the most beautiful ones. Retire projects that attract the wrong inquiries.
Project storytelling
Each selected project gets a case study written for a client: the brief, the constraints (budget, site, approvals, program), the decisions and the result for the owner. Photography and film come from the same brief.
Publication and awards plan
A calendar of which projects go to which publications and award programs, when, and with what package.
Website and AI search
Sector pages, project pages with real detail, principal bios and structured data, so search engines and AI assistants understand what the firm does and where.
Business development
Target lists, an RFQ and proposal library, shortlist interview decks and a simple routine for principals on LinkedIn and at events. Inquiries, shortlists and wins are measured by source.
The full playbook: how to market an architecture firm, and why architecture firms lose commissions.
How a building's story is told, from sketch to award
An architect sells thinking, not square footage. So each project is followed through four moments, and each one becomes its own content.

01
The idea
Film the architect explaining the idea, so clients meet the thinking before the building exists.

02
The site
Construction stories show the craft and the decisions that a finished photo hides.

03
The finished building
Photography and film of the completed work, in the light it was designed for.

04
The recognition
Every award, shortlist and publication is announced within days and reused in proposals.
- Since 2021Films, photography, Instagram, award and press announcements, and recruitment campaigns for the studio
- 8K to 21KInstagram followers, from about 8,000
- 95 filmsand 1,446 photographs delivered since 2024
- +245%Instagram engagement; 128K reel views
Aristides Dallas Architects with TERAMOK, TERAMOK-reported: delivery counted 7 October 2026. Audience growth shows reach, not commissions. Read the case study.
How to get featured on ArchDaily and win awards
Publication works when it's planned rather than hoped for, and every result is reused within days.
- Photograph completed work properly and early. Editors choose on images. Clear image rights with the client and photographer at the start.
- Pick the outlet for the audience. ArchDaily, Designboom and Dezeen build peer reputation and recruiting appeal. Trade and business press reach developers and owners. Local AIA chapter awards and local press reach public and community clients.
- Submit fewer, better entries. A few carefully prepared award entries usually beat a wide spread of rushed ones.
- Reuse every result. A publication or shortlist should appear on the project page, in proposals and in the principals' outreach within days.
Announced by TERAMOK for Aristides Dallas Architects
- Architizer A+Awards 2026Jury Winner, Unbuilt Hospitality
- Architizer A+Awards 2026Finalist with Maison Cheval and with Shared Ground
- DesignboomFeature
- Archello Awards 2025Finalist with Project L
- Architizer A+Awards 2025Best Local Firm
- National Geographic Traveller (UK)PNOĒS Tinos in the Coastal Collection 2025
- BIG SEE Architecture Award 2025Winner, PNOĒS Tinos, tourism buildings
- YatzerFeature on PNOĒS Tinos
The awards and features are the studio's; TERAMOK designs and runs the announcements. Sources on the case study.
Architecture firm website, branding and AI search
A client checks the website before the first call, and more and more of them ask ChatGPT or Google's AI answers which firms to consider.
- Sector pages that say who the firm builds for: hospitality, multifamily, residential, workplace, education.
- Project pages with real detail: the brief, constraints, decisions and the result for the owner, not only a gallery.
- Principal bios with the projects each person led, so a client can see who will run theirs.
- Structured data and clear facts (location, sectors, awards, publications) so search engines and AI assistants can describe the firm correctly. More on AI search.
- Branding that follows the position, not the other way round. Many practices need sharper project pages before they need a new logo.

RFPs, proposals and shortlist interviews
Visibility only matters if it turns into shortlists. That takes a routine, not a campaign.
A short target list
The developers, owners and agencies most likely to commission the work you want, with a reason to contact each.
A proposal library
Project sheets, team résumés, images and references that fit an RFQ or RFP in hours, not weeks.
Shortlist interview decks
Built around the client's real questions: cost, program, approvals and schedule, with the projects that prove each answer.
One measure of success
Inquiries, shortlists and commissions by source, reviewed monthly by the principals and the marketing coordinator.
Common mistakes in architecture firm marketing
None of them is about budget.
A portfolio organized for peers, not clients
Beautiful images with a one-line caption tell a developer or a school board nothing about cost, program or approvals.
Every project on the website
Showing all the work makes a firm look general. Showing the right work makes it look expert in what the client is buying.
Waiting for referrals
Referrals are valuable but unpredictable. A firm that wants a new sector has to reach people who don't know it yet.
Marketing that stops when the office gets busy
Visibility built in a quiet year pays off two years later. Stopping and restarting costs more than a small, steady effort.
No link between marketing and business development
If the principal leading a proposal can't find the right project story, image or film in minutes, the marketing isn't doing its job.
Why architecture firms work with Kirill Samarits
He has photographed, filmed and marketed architecture for years, and he runs the team that does it. Sources are linked where they're published.

ArchDaily
Photography credited to Kirill Samarits for PNOĒS Tinos Design Holiday Villas by Aristides Dallas Architects (2025).
See the creditClutch
4.5/5 review from the CEO of FA Architecture and Partners, July 2025, on the team's eye and its knowledge of architecture and development.
Read the reviewPR Daily
Two Honorable Mentions for TERAMOK in the 2025 Content Marketing Awards: Agency of the Year and Short-Form Video.
See the listIMDb
Director credits for Kirill Samarits, relevant because project films are now part of how firms present their work.
See the creditsNikon Europe
European Photographer of the Year (2018). A supporting credential; the job on this page is marketing.
Developer side
22 of 48 units reserved before groundbreaking for a Chicago development; 2 of 3 villas sold 70 days before completion in Europe, $17M (2025). Clients under NDA; TERAMOK-reported.
See the dashboards
What's missing: TERAMOK hasn't published figures for commissions won by its architecture clients, so none are claimed here. More about Kirill Samarits and his career.

Fix your firm's marketing in 90 days
Kirill joins your firm for 90 days and spends 18 working days with the principals and your marketing coordinator. He sets the position, rebuilds the project stories and the routine, and hands over a system the firm keeps.
90 days, 18 working daysFrom $45,000
The same engagement is described for owners on the marketing consultant page and as a fractional CMO role.
Tell Kirill about your practiceIncluded
- 18 working days inside your firm, in person in Chicago or remotely
- Positioning and the list of commissions you want next
- Project selection and client-ready case studies
- A publication and awards calendar
- A website and AI search brief
- A business development routine and proposal library
- Training your marketing coordinator or team on real work
Paid separately
- Photography and film production
- Website design and build
- Award entry fees and media spend
Kirill founded and leads TERAMOK, and he says so at the start. If you already have a photographer, designer or agency you trust, he works with them.
Who this is for
- US architecture and design firms of roughly 1 to 50 people with strong built work and weak visibility outside their network.
- Studios moving into a new sector, such as hospitality, multifamily or mixed-use, that need relevant credibility before they have a long list of projects in it.
- Firms where the principals do business development themselves and need better material and a steadier pipeline.
- Firms with a marketing coordinator but no marketing strategy or senior direction.
It isn't a fit for building-product brands marketing to architects, for a quick social media package with no link to commissions, or for firms that aren't ready to share project information. Without material, there's nothing to market.
Questions architecture firms ask
How do architects get clients?
Most commissions come from referrals, repeat clients and shortlists from requests for qualifications or proposals. Firms that grow on purpose add a system around that: a clear position on the commissions they want, six to ten project stories written for clients, publication and awards, a website that search engines and AI assistants understand, and a routine in which the principals reach a short list of developers, owners and agencies. For US public work, many agencies select architects on qualifications first, so the qualifications package is the marketing.
How do you market an architecture firm?
Start with the commissions you want, not the channels. Kirill Samarits uses six steps: a positioning audit against target sectors and clients, selecting the projects that prove you can do that work, writing client-focused case studies with photography and film, a planned publication and awards calendar, a website built around sectors and projects with structured data, and a business development routine for the principals. The work is measured in inquiries, shortlists and commissions, not followers.
What should a marketing agency for architects actually do?
Help the practice win the right commissions: clarify positioning, choose and present projects for the clients the firm wants, plan publication and awards, build a website that explains sectors and expertise clearly, and support principals with proposal material and interview decks. The TERAMOK team, led by Kirill Samarits, has done this for Aristides Dallas Architects since 2021.
How do architecture firms win more commissions from developers?
Developers hire architects who understand their numbers as well as the design. Firms win more developer work by showing results in commercial terms (budget, schedule, approvals, how the building sold or leased), by presenting work in the sectors the developer builds in, and by staying in contact before a project is tendered. Kirill Samarits and the TERAMOK team work mostly on the developer side, including a Chicago presale where 22 of 48 units were reserved before groundbreaking (client under NDA, TERAMOK-reported).
How do you get an architecture project featured on ArchDaily or Designboom?
Editors choose on images and on a clear story. Photograph the completed work early and properly, clear image rights with the client and photographer, write a short text that explains the brief and the key decisions, and send it with credits and drawings. Pick the outlet for the audience: design outlets build peer reputation and recruiting appeal, while trade and business press reach the developers and owners who hire firms. Kirill Samarits has an ArchDaily photography credit for PNOĒS Tinos by Aristides Dallas Architects (2025).
How should a small architecture firm market itself on a limited budget?
Put a limited budget into three things: professional photography of the best completed projects, a clear website with detailed project and sector pages, and a steady routine of personal outreach by the principals. Paid advertising rarely comes first for a small practice. Choose a narrow set of target clients and write case studies for them before spending on anything else.
Does an architecture firm still need a marketing coordinator?
Usually yes. A coordinator keeps proposals, project sheets, images and the publication calendar moving. What most coordinators lack is direction: which commissions to chase, which projects to show and how success is measured. Kirill's 90-day engagement is built to give a coordinator that direction and train them on real work, so the system keeps running after he leaves.
How much does architecture firm marketing cost?
Kirill Samarits's 90-day engagement starts at $45,000, for 18 working days inside your firm. Execution is quoted separately: at TERAMOK, the agency he founded, websites start at $9,000, brand identity projects run $25,000 to $60,000, and ongoing marketing retainers run $8,000 to $25,000 a month. A smaller practice often gets more from photography and a clear website than from a full rebrand.
What is the difference between marketing an architecture firm and marketing to architects?
Marketing an architecture firm helps a practice win commissions from developers, owners and institutions through positioning, project storytelling, publication and business development. Marketing to architects is what building-product manufacturers do to get their products specified, through trade content, specification support and sales teams. This page covers the first.
Can an architecture firm market unbuilt or concept projects?
Yes, as long as every image is labelled as a visualization. Award programs have categories for unbuilt work: Aristides Dallas Architects was named Jury Winner, Unbuilt Hospitality, at the Architizer A+Awards 2026 with the studio's own visualization. TERAMOK produces CGI visualizations like the film at the top of this page, from $7,000 per project with at least nine renders.
Is the film at the top of this page a real building?
No. It is a CGI architectural visualization made by TERAMOK: computer-rendered images of a villa and its interiors, not photographs of a completed building. TERAMOK labels every visualization as one. The photographs further down the page are real buildings by Aristides Dallas Architects, photographed by TERAMOK.
Turn your built work into better commissions
Tell Kirill which commissions you want next and what isn't working today.
Contact Kirill